Aladdin old guy9/15/2023 ![]() 1) and then in the 2019 live action remake. In this short study, I examine “Friend Like Me” from Aladdin (Ron Clements & John Musker, 1992) as a multi-modal musical number that has been reimagined from the original animated film to the 2011 stage production (Fig. With appalling depictions of faceless African American workers in “Song of the Roustabouts” in Dumbo (Ben Sharpsteen, 1941), controversy about the representation of indigenous Americans in Pocahontas (Mike Gabriel & Eric Goldberg, 1995), and lightening the skin of Princess Tiana in Ralph Breaks the Internet (Rich Moore & Phil Johnston, 2018), there have been ongoing questions about limited, fetishized, and often racist characterisations of people of colour in the studio’s films. ![]() ![]() ![]() There is considerable scrutiny of the politics of representation in Disney’s animated screen musicals.
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